His horns shall be of the same - These horns were projections pointing upward in the form either of a small obelisk, or of the horn of an ox. They were to be actually parts of the altar, not merely superadded to it. On them the blood of the sin-offering was smeared Exodus 29:12; Leviticus 4:7; Leviticus 8:15; Leviticus 9:9; Leviticus 16:18. To take hold of them appears to have been regarded as an emphatic mode of laying claim to the supposed right of sanctuary (Exodus 21:14 note; 1 Kings 1:50).

Thou shalt make the horns of it - The horns might have three uses:

1. For ornament.

2. To prevent carcasses, etc., from falling off.

3. To tie the victim to, previously to its being sacrificed.

So David: Bind the sacrifice with cords to the horns of the altar; Psalm 118:27. Horns were much used in all ancient altars among the heathen, and some of them were entirely constructed of the horns of the beasts that had been offered in sacrifice; but such altars appear to be erected rather as trophies in honor of their gods. On the reverses of several medals we find altars represented with horns at the corners. There is a medal of Antoninus on the reverse of which is an altar, on which a fire burns, consecrated Divi Pio, where the horns appear on each of the corners.

There is one of Faustina, on which the altar and its horns are very distinct, the legend Pietas Augusta. All the following have altars with horns. One of Valerian, legend Consecratio; one of Claudius Gothicus, same legend; one of Quintillus, same legend; one of Crispina, with the legend Diis Genitalibus; and several others. See Numismatica Antiq., a Musellio, under Consecratio, in the index.

Callimachus, in his Hymn to Apollo, line 60 introduces him constructing an altar of the horns of the animals slain by Diana:

- πηξε δε βωμον

Εκ κεραων κ. τ. λ.

Martial has these words: Cornibus ara frequens.

Which were either for ornament, or for keeping what was laid upon the altar from falling off, or for the fastening of the sacrifice to them, and were what criminals fled to for refuge, and laid hold on; and may denote the power of Christ, who is the horn of salvation to preserve his people from a final falling away, and from ruin and destruction, and his protection of those that fly to him for refuge; and these horns being at the corners of the altar may respect the four parts of the world, from whence souls come to Christ for everlasting salvation:

his horns shall be of the same; that is, made of the same wood as the altar itself and so may lead to observe the like things: or "upwards out of it" (b), the altar; prominent from it, as the Arabic version, and so the sacrifices could be bound to them, Psalm 118:27,

and thou shalt overlay it with brass; with plates of brass, that it may endure the fire, and preserve the wood from being burnt with it; this may denote not only the brightness, lustre, and glory of Christ, like the shining brass, but his great strength in bearing the sins of his people, and all the punishment due unto them, even the fire of divine wrath, without being consumed by it. Jarchi observes, that it was overlaid with brass, because it was to make atonement for the impudence of the forehead, which is as brass, Isaiah 48:4.

(b) "sursum exeo", Noldius, p. 615.

And thou shalt make the horns of it upon the four corners thereof: his horns shall be of {b} the same: and thou shalt overlay it with brass.

(b) Of the same wood and matter not fastened to it.

27:2 The horns of it, were for ornament and for use; the sacrifices were bound with cords to the horns of the altar, and to them malefactors fled for refuge.

Margin brass

Cf. Num 21:9 Jn 3:14 12:31-33 thus fixing the symbolic meaning of brass as divine manifestation in judgment.

27:1-8 In the court before the tabernacle, where the people attended, was an altar, to which they must bring their sacrifices, and on which their priests must offer them to God. It was of wood overlaid with brass. A grate of brass was let into the hollow of the altar, about the middle of which the fire was kept, and the sacrifice burnt. It was made of net-work like a sieve, and hung hollow, that the ashes might fall through. This brazen altar was a type of Christ dying to make atonement for our sins. The wood had been consumed by the fire from heaven, if it had not been secured by the brass: nor could the human nature of Christ have borne the wrath of God, if it had not been supported by Divine power.